We’re going to keep this brief and keep things simple.

As you can imagine, as the international art market adapts and adjusts to sanctions - a somewhat alien term to many - the questions that we’ve received from our clients really fall under two headings: How does this affect me and What do I need to do?

While this isn’t a substitute for formal training, much of what we’ll cover will serve as an introduction while also offering some practical guidance and examples for specific scenarios such as being asked to sell a work of art on behalf of a well-known Russian client.

‍